{"id":3649,"date":"2019-05-17T14:53:11","date_gmt":"2019-05-17T12:53:11","guid":{"rendered":"http:\/\/sciences-medias.fr\/blogs\/?p=3649"},"modified":"2019-05-17T14:53:56","modified_gmt":"2019-05-17T12:53:56","slug":"dirty-corner","status":"publish","type":"post","link":"https:\/\/sciences-medias.fr\/blogs\/dirty-corner\/","title":{"rendered":"Dirty Corner d\u2019Anish Kapoor : chronique d\u2019une \u0153uvre"},"content":{"rendered":"<p><em><strong><a href=\"http:\/\/www.lettrevolee.com\/spip.php?article2293\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3651 size-thumbnail\" src=\"http:\/\/sciences-medias.fr\/blogs\/wp-content\/uploads\/2019\/05\/arton2293-22988-103x150.jpg\" alt=\"\" width=\"103\" height=\"150\" srcset=\"https:\/\/sciences-medias.fr\/blogs\/wp-content\/uploads\/2019\/05\/arton2293-22988-103x150.jpg 103w, https:\/\/sciences-medias.fr\/blogs\/wp-content\/uploads\/2019\/05\/arton2293-22988.jpg 132w\" sizes=\"auto, (max-width: 103px) 100vw, 103px\" \/><\/a>Dirty Corner <\/strong><\/em><strong>d\u2019Anish Kapoor : chronique d\u2019une \u0153uvre<\/strong><br \/>\nEntre violence artistique et violence politique<br \/>\n<strong>Claire Noble<\/strong><br \/>\nReportage photographique de <strong><a href=\"https:\/\/sciences-medias.fr\/blogs\/equipe\/thierry-lefebvre\/\">Thierry Lefebvre<\/a><\/strong><br \/>\n<span style=\"font-size: smaller;\">La Lettre Vol\u00e9e<br \/>\n144 pages, 48 illustrations couleur, 12 x 18 cm<br \/>\nISBN 978-2-87317-535-1<br \/>\n19 \u20ac, 2019<\/span><\/p>\n<p>Reprenant l\u2019histoire in\u00e9dite de la sculpture hors normes d\u2019Anish Kapoor, install\u00e9e de juin \u00e0 novembre 2015 dans le parc du Ch\u00e2teau de Versailles, sur le Tapis vert de Le N\u00f4tre, quelque peu chahut\u00e9 pour l\u2019occasion, ce livre retrace minutieusement la chronique des \u00e9v\u00e9nements peu communs qui ont alors scand\u00e9 la vie de <em>Dirty Corner<\/em>.<br \/>\n<!--more-->Rebaptis\u00e9 \u00ab Vagin de la reine \u00bb avant m\u00eame d\u2019\u00eatre montr\u00e9 au public, ce que d\u2019aucuns ont pu qualifier de \u00ab d\u00e9chet sculptural \u00bb sera le terrain de quatre actes de vandalisme, incluant notamment le tristement c\u00e9l\u00e8bre \u00e9pisode des graffitis haineux et antis\u00e9mites qui avait fait la une des journaux en septembre 2015. C\u2019est cette dynamique entre la violence politique, que <em>Dirty Corner<\/em> contient d\u00e9sormais irr\u00e9vocablement, et la violence artistique, qui s\u2019efforce de la d\u00e9passer, qui fait ici l\u2019objet d\u2019une analyse document\u00e9e et d\u2019une r\u00e9flexion critique.<\/p>\n<p><strong>Claire Noble<\/strong> est Professeur agr\u00e9g\u00e9e de philo\u00adsophie et Docteur en esth\u00e9tique de l\u2019Universit\u00e9 de Paris VIII (Vincennes-Saint-Denis). Ses recherches portent sur la question de la provocation en art.<\/p>\n<p><a href=\"http:\/\/sciences-medias.fr\/blogs\/equipe\/thierry-lefebvre\/\"><strong>Thierry Lefebvre<\/strong><\/a>, ma\u00eetre de conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Paris Diderot, est l\u2019auteur de nombreux ouvrages et s\u2019int\u00e9resse entre autres \u00e0 l\u2019art contemporain et tout particuli\u00e8rement aux installations d\u2019Anish Kapoor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dirty Corner d\u2019Anish Kapoor : chronique d\u2019une \u0153uvre Entre violence artistique et violence politique Claire Noble Reportage photographique de Thierry Lefebvre La Lettre Vol\u00e9e 144 pages, 48 illustrations couleur, 12 x 18 cm ISBN 978-2-87317-535-1 19 \u20ac, 2019 Reprenant l\u2019histoire in\u00e9dite de la sculpture hors normes d\u2019Anish Kapoor, install\u00e9e de &#8230;<\/p>\n","protected":false},"author":97,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-3649","post","type-post","status-publish","format-standard","hentry","category-publications","column","onecol"],"_links":{"self":[{"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/posts\/3649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/users\/97"}],"replies":[{"embeddable":true,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/comments?post=3649"}],"version-history":[{"count":3,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/posts\/3649\/revisions"}],"predecessor-version":[{"id":3653,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/posts\/3649\/revisions\/3653"}],"wp:attachment":[{"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/media?parent=3649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/categories?post=3649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sciences-medias.fr\/blogs\/wp-json\/wp\/v2\/tags?post=3649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}